{"id":3002,"date":"2024-07-06T09:57:19","date_gmt":"2024-07-06T09:57:19","guid":{"rendered":"https:\/\/ufec-mundial.com\/?page_id=3002"},"modified":"2025-06-13T09:45:03","modified_gmt":"2025-06-13T09:45:03","slug":"anna-prado","status":"publish","type":"page","link":"https:\/\/nuevo-renacer.com\/tr\/anna-prado\/","title":{"rendered":"Anna Prado'nun"},"content":{"rendered":"
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Anna Prado \u2013<\/strong> Brezilya'daki ilk fiziksel etki medyumlu\u011fu<\/strong><\/p>\n<\/div><\/div>\n\n\n\n

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Brezilyal\u0131 medyum, fiziksel etkilerin medyumlu\u011funda \u00f6nc\u00fc, zaman\u0131nda sadece Brezilya'da de\u011fil uluslararas\u0131 alanda da \u00e7ok \u00fcnl\u00fc. Brezilya'n\u0131n kuzeydo\u011fusundaki Par\u00e1 Eyaleti'nin ba\u015fkenti Bel\u00e9m'de do\u011fmu\u015f ve ya\u015fam\u0131\u015ft\u0131r. \u00c7al\u0131\u015fmalar\u0131nda kendisine sevgi ve sayg\u0131yla yard\u0131mc\u0131 olan Euripides Prado ile evliydi. Birka\u00e7 \u00e7ocu\u011fu oldu. <\/p>\n\n\n\n

Ana, materyalizasyonlar, apportlar, foto\u011fraflar, nesnelerin hareketleri, do\u011frudan yaz\u0131 ve di\u011fer inan\u0131lmaz fenomenler \u00fcretti. <\/p>\n\n\n\n

Toplant\u0131lar\u0131na, 1900'lerin ba\u015flar\u0131nda zaman\u0131n en parlak adamlar\u0131, politikac\u0131lar, filozoflar, doktorlar, psikiyatristler, avukatlar, hakimler vb.Kat\u0131ld\u0131 ve ara \u00fcr\u00fcnlerinin \u00fcretti\u011fi fenomenlerin ger\u00e7ekli\u011fini onaylad\u0131. Sadece \u00e7i\u00e7ekleri, elleri ve ayaklar\u0131 de\u011fil, t\u00fcm bedenleri de birka\u00e7 maddele\u015ftirmeyi adland\u0131rabiliriz. Belki de en \u00fcnl\u00fc ger\u00e7ekle\u015fme vakas\u0131, \u00fcnl\u00fc Federico Figner'\u0131n gen\u00e7 k\u0131z\u0131, zengin ve g\u00fc\u00e7l\u00fc, ruh\u00e7u aktif ve Brezilya'daki elektrik lambas\u0131n\u0131n tan\u0131t\u0131c\u0131s\u0131 ve evin sahibi Chico Xavier'in ki\u015fisel arkada\u015f\u0131 Rachel Figner'd\u0131. zaman \u00fclkenin ba\u015fkentiydi. Bu ger\u00e7ek bas\u0131n taraf\u0131ndan geni\u015f \u00e7apta belgelenmi\u015ftir. <\/p>\n\n\n\n

Gen\u00e7 k\u0131z birka\u00e7 kez cisimlendi, y\u00fcr\u00fcd\u00fc, konu\u015ftu ve sevgi dolu ebeveynlerini ok\u015fad\u0131. Y\u0131llar sonra Federico Figner, ruhani d\u00fcnyadan Chico Xavier'in arac\u0131l\u0131\u011f\u0131 ile bu kar\u015f\u0131la\u015fmay\u0131 \u201cVolv\u00ed\u201d kitab\u0131nda anlatt\u0131. <\/p>\n\n\n\n

Ana ayr\u0131ca, \u201capport\u201d un, yani nesnelerin tamamen kapal\u0131 muhafazadan toplant\u0131 odas\u0131n\u0131n ortas\u0131na aktar\u0131lmas\u0131n\u0131n etkilerini de \u00fcretti. Birka\u00e7 kez, \u00fclkenin farkl\u0131 b\u00f6lgelerinin \u00e7i\u00e7eklerini getirdiler, bu sadece masan\u0131n \u00fczerinde belirdi, herkesi \u015fa\u015f\u0131rtt\u0131. <\/p>\n\n\n\n

\u0130\u00e7inde sakland\u0131 parafin \u015eimdi bir m\u00fczenin par\u00e7as\u0131 olan \u00e7i\u00e7ekler, eller, ayaklar ve di\u011ferleri gibi farkl\u0131 nesneler.  <\/p>\n\n\n\n

Do\u011frudan yaz\u0131 yazma fenomeni herkesi b\u00fcy\u00fcledi. Y\u0131llar sonra Chico Xavier de t\u00fcm fiziksel etkileri aras\u0131nda do\u011frudan yaz\u0131 yazma olay\u0131n\u0131 geli\u015ftirdi. Bunun, kapal\u0131 ve a\u00e7\u0131k\u00e7a dikkatle kontrol edilen bir kutunun i\u00e7ine bir par\u00e7a ka\u011f\u0131t koyma meselesi oldu\u011funu hat\u0131rlayal\u0131m, burada kalem veya yaz\u0131 arac\u0131 olmadan bir veya daha fazla c\u00fcmle yaz\u0131l\u0131 olarak g\u00f6r\u00fcnecektir. Bu do\u011frudan ileti\u015fim kuran ruh taraf\u0131ndan, onun iradesi ve medyumun ya\u015famsal ve \u00f6zel enerjisinin i\u015fbirli\u011fiyle yaz\u0131l\u0131r. Bu toplant\u0131lar\u0131n \u00f6nemli tan\u0131klar\u0131 bu etkilerin nas\u0131l ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 bilmediklerini ama bunlar\u0131n kesinlikle do\u011fru oldu\u011funu ifade etmi\u015flerdir. \u0130\u00e7lerinden birka\u00e7\u0131 bu konuda makaleler ve kitaplar yazm\u0131\u015ft\u0131r. <\/p>\n\n\n\n

Ana, ektoplazmas\u0131 ve bu etkilere kar\u015f\u0131 yetene\u011fi sayesinde deneylerin ve Ruhlar\u0131n daha iyi kontrol\u00fc i\u00e7in bir kafesin i\u00e7ine yerle\u015ftirildi.fiziksel ortam. <\/p>\n\n\n\n

Sayg\u0131n ara\u015ft\u0131rmac\u0131 ruh\u00e7u Frans\u0131z Gabriel Delanne, Ana Prado'nun \u00fcretti\u011fi ger\u00e7ekleri 1922 ve 1923 y\u0131llar\u0131nda Paris'teki \u201cmetafizik Dergisi\u201d nin yan\u0131 s\u0131ra \u201cReenkarnasyon\u201d adl\u0131 kitab\u0131nda kaydetti. <\/p>\n\n\n\n

Di\u011fer \u015feylerin yan\u0131 s\u0131ra Ana, yazar Raymundo Nogueira de Faria'n\u0131n \u201c\u00d6l\u00fclerin i\u015fi\u201dadl\u0131 eserinde en iyi i\u015fbirlik\u00e7isiydi. <\/p>\n\n\n\n

Tabii ki, Anna'n\u0131n o an\u0131n en zeki adamlar\u0131 taraf\u0131ndan ziyaret edildi\u011fi ve hayran oldu\u011fu ayn\u0131 zamanda ba\u015fkalar\u0131 taraf\u0131ndan da zul\u00fcm g\u00f6rd\u00fc ve g\u00fccendirildi. Bu d\u00fc\u015fmanlar aras\u0131nda \u015fehrin gazetelerinde yaz\u0131lar yazan, alay konusu yapan ve medyuma zarar veren Frans\u0131z rahip Peder Florencio Dubois de vard\u0131. Maneviyat\u0131n ac\u0131 bir d\u00fc\u015fman\u0131yd\u0131. Bu toplant\u0131lara kat\u0131lmaya \u00e7al\u0131\u015ft\u0131 ama asla kabul edilmedi. <\/p>\n\n\n\n

Fiziksel etkilerin bu \u015fa\u015f\u0131rt\u0131c\u0131 fenomenlerinin b\u00fcy\u00fck k\u0131sm\u0131 1918 ile 1921 y\u0131llar\u0131 aras\u0131nda meydana geldi. A\u00e7\u0131k\u00e7as\u0131, Brezilya'da ve d\u00fcnyada Ruh\u00e7ulu\u011fun yay\u0131lmas\u0131na \u00e7ok \u00f6nemli bir \u015fekilde katk\u0131da bulundu. <\/p>\n\n\n\n

Son y\u0131llarda, d\u00fcnyay\u0131 sarsan fiziksel etkilerin \u00fcnl\u00fc fenomenlerinin \u00f6nc\u00fcs\u00fc, g\u00f6r\u00fcn\u00fc\u015fte unutulmu\u015f olan bu harika orta Brezilyal\u0131'n\u0131n an\u0131s\u0131n\u0131 getirmeye artan bir ilgi var. Bunlar, ruhsal d\u00fcnyan\u0131n bu g\u00f6sterileri inan\u0131lmaz fiziksel etkilere te\u015fvik etti\u011fi zamanlard\u0131, ancak bunlar\u0131n nas\u0131l \u00fcretildi\u011fine dair bilimsel bir anlay\u0131\u015f olmamas\u0131na ra\u011fmen, uykuda olan vicdanlar\u0131 Daha Y\u00fcksek Maneviyata uyand\u0131rmak amac\u0131yla. Birka\u00e7 y\u0131l s\u00fcren ola\u011fan\u00fcst\u00fc bir hareketten sonra, U\u00e7aktan Daha Y\u00fckse\u011fe, o andan itibaren bu uyan\u0131\u015f\u0131n, Allan Kardec taraf\u0131ndan lanse edilen \u00e7ok \u00f6v\u00fclen \u201creformu samimi\u201d uygulayarak, ahlaki olarak modificarnos'un ihtiyac\u0131 ve aciliyeti hakk\u0131ndaki kitaplar, toplant\u0131lar ve fark\u0131ndal\u0131k yoluyla yap\u0131lmas\u0131 gerekti\u011fine karar verildi, y\u00fcksek Ruhlar arac\u0131l\u0131\u011f\u0131yla. <\/p>\n\n\n\n

14 Haziran 1920'de Bay Eur\u00edpedes ve Ana Prado'nun ikametgah\u0131nda d\u00fczenlenen medi\u00famnica toplant\u0131 tutanaklar\u0131. (Yearbook Spiritist 1965) Etel Schulte taraf\u0131ndan \u00f6zetlenmi\u015f ve \u00e7evrilmi\u015ftir. <\/strong><\/p>\n\n\n\n

14 Haziran 1920 ak\u015fam\u0131 saat 8 \u00bd'de, Bay Eur\u00edpedes Prado'nun ikamet etti\u011fi Brezilya'n\u0131n Bel\u00e9n de Par\u00e1 \u015fehrindeki 43 numaral\u0131 Tomoios soka\u011f\u0131nda haz\u0131r bulunanlar: (yetkililerin isimleri), aralar\u0131nda: Mr. Kouma Horigoutchy, Brezilya H\u00fck\u00fcmeti'nin Japon Bakan\u0131, Dr. Justo Chermont, Federal Senat\u00f6r ve e\u015fi, Dr. Virgilio Mendo\u00e7a, Eyalet Senat\u00f6r\u00fc, Dr. Amazonas de Figuereido, Devlet Hukuku Fak\u00fcltesi Profes\u00f6r\u00fc, Dr. Napoleon de Oliveira, Devlet Hukuku \u015eefi, Dr. Napoleon de Oliveira, Devlet Hukuku \u015eefi ve Dr. Napoleon de Oliveira, Devlet Hukuku \u015eefi. Polis \u015fefi Napoleon de Oliveira, Devlet Mahkemesi \u00fcyesi Bay Santiago, \u00f6\u011fretmen Eltare Bosio, Vali yard\u0131mc\u0131s\u0131 Y\u00fczba\u015f\u0131 Pedro Borges, Ba\u015fkent 1. Valisi Dr. Nogueira de Far\u00eda (daha sonra materyalizasyon oturumlar\u0131n\u0131 anlatan ve bir y\u0131l sonra FEB taraf\u0131ndan yay\u0131nlanacak olan bir kitap yazacakt\u0131), Belem Valisi Bay Antonio Martins Pinheiro ve di\u011fer baz\u0131 ki\u015filer ile Prado ailesinin \u00fcyeleri.<\/em> <\/p>\n\n\n\n

\u00c7al\u0131\u015fmalar ba\u015flad\u0131. Balkon-teras\u0131n sol k\u00f6\u015fesine bir t\u00fcr dolap kuruldu, siyah bir branda ile kapland\u0131 ve herkesin g\u00f6rebilece\u011fi \u015fekilde monte edildi. Dolab\u0131n sa\u011f taraf\u0131ndaki ve \u00f6n taraf\u0131ndaki perdeler as\u0131l\u0131 b\u0131rak\u0131ld\u0131. \u201cMedyum dolab\u0131\u201d olarak adland\u0131raca\u011f\u0131m\u0131z bu dolab\u0131n i\u00e7ine, daha \u00f6nce asistanlar taraf\u0131ndan incelenmi\u015f bir kafes yerle\u015ftirildi ve kontrol amac\u0131yla etraf\u0131na sa\u011flam bir pamuk ipli\u011fi ge\u00e7irilerek m\u00fch\u00fcrlendi. Medyumu (Ana) ald\u0131ktan sonra bu kafes, baz\u0131lar\u0131 buna ilk kez tan\u0131k olan \u00fc\u00e7 ki\u015finin (hepsinin ad\u0131n\u0131 veriyor) huzurunda asma kilitle kilitlendi. Dolab\u0131n \u00f6n\u00fcne biri so\u011fuk su, di\u011feri de olduk\u00e7a y\u00fcksek s\u0131cakl\u0131kta eritilmi\u015f parafin i\u00e7eren iki kova yerle\u015ftirildi.<\/em> <\/p>\n\n\n\n

I\u015f\u0131k k\u0131s\u0131lm\u0131\u015ft\u0131 ve teras iyi \u0131\u015f\u0131k sa\u011flayan bir elektrik lambas\u0131yla ayd\u0131nlat\u0131lm\u0131\u015ft\u0131. G\u00f6revli s\u0131ras\u0131n\u0131n arkas\u0131nda, medyum kabini y\u00f6n\u00fcnde bir vantilat\u00f6r \u00e7al\u0131\u015f\u0131yordu. \u00c7al\u0131\u015fmaya ba\u015flamadan \u00f6nce Bay Eur\u00edpedes Prado, Ruh'un her \u015feyin yolunda oldu\u011funu s\u00f6yledi\u011fi ve Bay Virgilio Mendo\u00e7a'ya bir noktada kafese yakla\u015fabilece\u011fini s\u00f6yledi\u011fi triptolojik bir mesaj ald\u0131 ve bu k\u0131sa bir s\u00fcre sonra ger\u00e7ekle\u015fti. Ondan ilk kez orada bulunan birini de kafese yakla\u015fmas\u0131 i\u00e7in davet etmesini istedi. Onlar da Japon Kouma'y\u0131 se\u00e7tiler. Daha sonra her ikisi de kafesin i\u00e7inde medyumun yan\u0131nda maddele\u015fmi\u015f ruhu g\u00f6rd\u00fcler.<\/em> <\/p>\n\n\n\n

Yakla\u015f\u0131k 20 dakika sonra \u201cRuh John\u201d siyah pantolon ve ceket giymi\u015f ve beyaz bir ba\u015fl\u0131k takm\u0131\u015f olarak dolaptan \u00e7\u0131kt\u0131. Yal\u0131nayakt\u0131. Bay Mendo\u00e7a ve Japon bakanla el s\u0131k\u0131\u015ft\u0131. Odan\u0131n i\u00e7inde y\u00fcr\u00fcd\u00fc ve etraf\u0131na bak\u0131nd\u0131, do\u011fal olarak herkese hava att\u0131. Sonra parafinin yan\u0131na gitti ve balmumuyla kapl\u0131 elini g\u00f6stererek \u00fc\u00e7\u00fcn\u00fcn ona dokunmas\u0131n\u0131 sa\u011flad\u0131. Martins, Chermont ve Mendo\u00e7a.<\/em> <\/p>\n\n\n\n

Kal\u0131p yap\u0131ld\u0131ktan sonra Ruh John onu Bay Kouma'ya teslim etti. Mek\u00e2nda dola\u015fmaya devam etti ve ba\u015fka bir kal\u0131p daha yapt\u0131. Orada bulunan birka\u00e7 ki\u015fi ondan daha \u00f6nce birka\u00e7 kez ortaya \u00e7\u0131km\u0131\u015f olan di\u015fi ruh Anita'y\u0131 getirmesini istedi. John dolaba gitti ve k\u0131sa bir s\u00fcre sonra 14-16 ya\u015flar\u0131nda, beyazlar giymi\u015f, bluz ve etek giymi\u015f, uzun dalgal\u0131 sa\u00e7lar\u0131 olan gen\u00e7 bir k\u0131z belirdi. K\u0131z diz \u00e7\u00f6kt\u00fc, dua etti, aya\u011fa kalkt\u0131, y\u00fcr\u00fcd\u00fc ve orada bulunanlar\u0131n aras\u0131nda serbest\u00e7e hareket etti. Yakla\u015f\u0131k \u00e7eyrek saat boyunca bu \u015fekilde kald\u0131. Bayan Bastos'un elinden yelpazeyi ald\u0131 ve gecenin onurunu hak etmi\u015f gibi g\u00f6r\u00fcnen Bay Kouma'y\u0131 yelpazelemeye gitti. Yelpaze ona geri verildi\u011finde sap\u0131 hafif\u00e7e nemlenmi\u015fti. Gen\u00e7 kad\u0131n o kadar iyi cisimle\u015fmi\u015fti ki, ete kemi\u011fe b\u00fcr\u00fcnm\u00fc\u015f gibi g\u00f6r\u00fcnd\u00fc\u011f\u00fc i\u00e7in b\u00fcy\u00fck \u015fa\u015fk\u0131nl\u0131k yaratt\u0131. Birka\u00e7 tur daha att\u0131ktan sonra dolaba \u00e7ekildi ve g\u00f6zden kayboldu. John bu kez beyaz bir c\u00fcbbe giymi\u015f olarak yeniden ortaya \u00e7\u0131kt\u0131\u011f\u0131nda seans bitmi\u015f gibi g\u00f6r\u00fcn\u00fcyordu. Diz \u00e7\u00f6kt\u00fc ve dua etti. \u0130zleyicilere iki kez daha yakla\u015ft\u0131 ve sonra kabine do\u011fru gitti. Birka\u00e7 dakika sonra medyumu uyand\u0131rd\u0131\u011f\u0131 net bir \u015fekilde duyulabiliyordu. \u00c7al\u0131\u015fmas\u0131n\u0131 bitirmeden \u00f6nce yine bir t\u00fcr mendille seyircileri selamlad\u0131.<\/em> <\/p>\n\n\n\n

Seans sona erdi\u011finde medyum uyand\u0131, \u0131\u015f\u0131k a\u00e7\u0131ld\u0131 ve kafes g\u00f6revliler taraf\u0131ndan incelendi. M\u00fch\u00fcr mumu ve asma kilit sa\u011flamd\u0131. Medyum geri \u00e7ekildikten sonra Japon bakan kafesin i\u00e7ine girdi ve asma kilidi, parmakl\u0131klar\u0131n sa\u011flaml\u0131\u011f\u0131n\u0131 ve yapabildi\u011fi di\u011fer her \u015feyi inceledi. Her \u015fey m\u00fckemmel durumdayd\u0131. Orada bulunanlar hayretten de \u00f6teydi.<\/em> <\/p>\n\n\n\n

Ana Prado taraf\u0131ndan 1929 y\u0131l\u0131nda ger\u00e7ekle\u015ftirilen bir materyalizasyon seans\u0131n\u0131n kayd\u0131 burada sona ermektedir. Spirit\u00fcalizm tarihinde \u00f6nemli bir olay. <\/p>\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"

Anna Prado – la primera m\u00e9dium de efectos f\u00edsicos de Brasil M\u00e9dium brasile\u00f1a pionera en la mediumnidad de efectos f\u00edsicos, muy famosa en su tiempo, no s\u00f3lo dentro de Brasil sino internacionalmente. Naci\u00f3 y vivi\u00f3 en Bel\u00e9n, Capital del Estado de Par\u00e1, en el nordeste brasile\u00f1o. Estaba casada con Eur\u00edpides Prado quien la ayud\u00f3 en […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-3002","page","type-page","status-publish","hentry"],"yoast_head":"\nAnna Prado - Uni\u00f3n Esp\u00edrita<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/nuevo-renacer.com\/tr\/anna-prado\/\" \/>\n<meta property=\"og:locale\" content=\"tr_TR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anna Prado\" \/>\n<meta property=\"og:description\" content=\"Anna Prado – la primera m\u00e9dium de efectos f\u00edsicos de Brasil M\u00e9dium brasile\u00f1a pionera en la mediumnidad de efectos f\u00edsicos, muy famosa en su tiempo, no s\u00f3lo dentro de Brasil sino internacionalmente. Naci\u00f3 y vivi\u00f3 en Bel\u00e9n, Capital del Estado de Par\u00e1, en el nordeste brasile\u00f1o. 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